I started fooling around on the Chapman Stick around 1997. The first year or so I didn't know how to hold it, tune it, or amplify it. Then a friend showed me the secrets of Standard Tuning for a 10-string Chapman Stick: fourths on the treble side and fifths on the bass side - and, oh boy, the Stick I had bought used was a left handed instrument. Until about late 2001 I tried to cope with Standard Tuning. I liked a lot of the things the fifths on the bass strings made possible (fifth and fourth based bass lines, huge open-tenth chords, wide range); but a lot of the things I liked to be able to play and had been practicing for my first few years were extremely hard (walking basslines, most linear scale-based music, closed chord voicings). Then I thought I'd try a fourth tuning on the bass side - I took off the low C string, made the G string the lowest and added fourths on top of that, really quite arbitrary. I haven't looked back since. For what I wanted to do that tuning worked perfect and felt right at home because chord voicings and scales are now the same on both sides (well, mirrored). This switch also finally gave me an idea of how I wanted to use the Stick in a band situation - like a piano where I am able to play chords or counter lines on one side while playing a melody on the other. Thus, the following lessons are divided into two groups. Also, the Standard Tuning lessons are standard notation plus tab but for Peter's Tuning I left out the tab.
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